zum Inhalt zur Navigation



Der fliegende Holländer

In German language with German surtitles

The ballad of the Flying Dutchman, told as a horror story, never lets go of Senta. Instead of fear, however, she feels a deep longing to redeem the cursed man. Despite all the warnings of those around her, she is determined to be "faithful to him on earth until death" and thus the key to his rest. Aron Stiehl describes the inner states of the characters in clear images: "soul spaces", as he calls them, that are all the more captivating because they always retain a residue of mystery.

Because he has called upon the devil during a dangerous voyage, the Flying Dutchman is condemned to restless wandering and endless searching - unless he finds a woman whose unconditional loyalty brings him release from his undead existence. But he is only allowed to go ashore once every seven years to find his soul mate ...

In Riga, where Richard Wagner was employed as music director, he became acquainted with the legend of the Flying Dutchman through a text by Heinrich Heine and was enthralled by the romantic horror story. When he lost his job, he went on the run from his creditors. The ship got caught in a heavy storm on its way to England. The journey inspired Wagner to write the libretto and composition of the Flying Dutchman.

Act 1: Deceptive calm following a storm at sea in Sandviken Bay. The Norwegian Captain Daland is angry: shortly before he and his team were able to reach his home harbour, his ship was once again driven off course. Now they will have to wait for a favourable wind, and so the entire crew settles down to rest. Only the steersman takes the watch and – to help fight his fatigue – sings 
a song full of longing to his distant beloved.

When the storm rises again, a ghostly ship is seen approaching on the horizon, with black masts and blood-red sails. A dark figure emerges into the solitary night: it is the Flying Dutchman. Cursed by the devil long ago for a sailor’s oath he swore, he now wanders endlessly over the seas of the world, seeking but never finding death. Only one glimmer of hope remains in his restless soul: to obtain redemption, he is allowed to come on land once every seven years in order to find a woman who will love him with unconditional faithfulness. But he has never found such a woman.

When Daland returns from his cabin, he sees the strange ship. In a conversation between the two ship commanders, the Dutchman gives the Norwegian merchant some idea of his immeasurable wealth. The homeless Dutchman offers Daland costly treasures in return for “shelter for one night”. It is not just possessions that are negotiated, however. The Dutchman elicits the information that Daland has a “faithful child”, his daughter Senta ... the Dutchman is filled with a new impulse of hope, and together they make ready to depart.

Act 2: A group of women in Daland’s house are awaiting the return of their fathers, husbands and fiancés. Senta sits alone, not wanting to join in with the pastimes of her nurse Mary and the other girls. Entirely absorbed in her thoughts and visions, she finally sings a ballad that tells the story of the mysterious Flying Dutchman and the terrible fate he suffers. She fantasises that it could be her destiny to reverse the cursed man’s fate, and this causes an ecstatic joy to arise in her. Not only are the listening women horrified, but also Erik, who believes that Senta has agreed to marry him. At the news that Daland’s ship has come home, the women depart for the harbour. Erik holds Senta back by telling her of a warning dream he has had, and he tries to bring her back to reason. But he is forced to see that the dream he has related is only feeding the fire of the young woman’s obsession. Erik rushes away in despair.

At this point the Dutchman appears before the dreaming Senta, and the story becomes reality. Daland is irritated that Senta does not seem pleased to see him again, and tries to explain the reasons why he is giving shelter to the stranger. However, neither this nor Daland’s presentation of the stranger to Senta is necessary. Senta knows very well who the man standing before her is. Left alone, the two express their reciprocal vow of fidelity.

Act 3: In the harbour, people are celebrating the return of the seafarers, while the Dutchman’s ship, shrouded in gloom, lies at anchor and there is no sign of life to be seen on it. The cheerful Norwegian sailors encourage the crew of the strange ship to join in their celebrations. There is no response. Gradually the fear spreads that the ship is a ghost ship. Shortly afterwards, strange natural forces assert themselves, and an inexplicable ghostly chorus suddenly sings out. This seems to confirm the men’s suspicions.

Senta hurries to the harbour, pursued by Erik, who tries once again to appeal to her reason as well as reminding her of the promise of fidelity she once gave him. Overhearing the exchange between Erik and Senta, the Dutchman thinks that he has been deceived, and his hopes of redemption seem dashed. In spite of this it is not his own hopeless fate that most distresses him: he wants to release Senta from her vow so that he will not drag her down with him. But Senta has already made her own decision … 


Alfred Eschwé
Stage direction
Aron Stiehl
Set design
Frank Philipp Schlößmann
Costume design
Franziska Jacobsen
Choir director
Holger Kristen
Daland, ein norwegischer Seefahrer
Andreas Mitschke
Senta, seine Tochter
Kristiane Kaiser
Erik, ein Jäger
Vincent Schirrmacher
Mary, Sentas Amme
Annely Peebo
Der Steuermann Dalands
Szabolcs Brickner
Der Holländer
Markus Marquardt