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Press reviews for Coppélia

Kiyoka Hashimoto, Alexey Popov, Foto: AshleyTaylor
Kiyoka Hashimoto, Alexey Popov, Foto: AshleyTaylor

"A charming ballet [...], capable of captivating a young audience with its time-traveling elements."
(Silvia Kargl, Kurier, 9.10.2023)

"A very elegant performance, in the original setting of the 19th century, with beautiful costumes, a richly imaginative stage, and virtuoso performances by the dancers from the Vienna State Ballet. A real feast with three acts that transported the audience into the magical world of palaces, romantic villages, and mysterious houses."
(European News Agency, 7.10.2023)

"As the puppet Coppélia 'disguised,' Kiyoka Hashimoto not only impresses with her technique but also with a convincing portrayal, especially when she performs a Spanish dance with a fan: with sharp movements and a strong presence, she impresses not only the expressive and enigmatic Coppélius portrayed by Jackson Carroll. Alexey Popov, as Franz, captures attention from the beginning with his grace and agility."
(Theresa Steininger, Die Presse, 10.10.2023)

Ensemble, Foto: AshleyTaylor
Ensemble, Foto: AshleyTaylor

"The Corps de Ballet excels in the diverse divertissements of the third act, as well as in the numerous colorful and high-tempo, folklorically colored ensemble scenes. The luxuriously choreographed formations are impressive in their perfect symmetry of form."
(Oliver Bernhardt, klassik.com, 11.10.2023)

Kiyoka Hashimoto, Jackson Carroll, Foto: AshleyTaylor
Kiyoka Hashimoto, Jackson Carroll, Foto: AshleyTaylor

"Above all, Kiyoka Hashimoto shines as Swanilda with girlish charm, expressive acting, and delicate technique. [...] Alexey Popov, as Franz, convinces with charm and expressiveness, as well as with elegant lines and technical strength in his dancing."
(Ira Werbowsky, Online Merker, 8.10.2023)

"Alfred Eschwé at the conductor's podium of the Volksoper Orchestra [...] succeeds in dynamically and rhythmically emphasizing dramatic moments as well as creating literal dance lightness. In this way, even evergreens like the 'Hours Waltz' or Mazurka shine with playful brilliance."
(Oliver Bernhardt, klassik.com, 11.10.2023)