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La bohème

Opera by Giacomo Puccini

In Italian language with German surtitles

Puccini's opera tells the love story of Mimì and Rodolfo against the backdrop of the milieu of Parisian artists, students and prostitutes. For the poet Rodolfo and his artist friends, life is just a game they play to escape the bourgeoisie. But when his newfound love Mimì is ill and dying, life takes on a different form and suddenly becomes very real.

For this revival, the Volksoper Wien presents Harry Kupfer's legendary production, sung in Italian. With Kupfer (1935 - 2019), one of the most important opera directors in post-war history, there was often talk of faithfulness to the original work. Lotte de Beer paraphrases this concept as follows: "Always going back to the source, to the original meaning of a score in the context of its time, and only then seek a realisation that speaks to us in our present time." However, faithfulness to the original work is not only important in the creation of a new production; the term is slowly being applied to historical productions by top directors themselves, such as those by Kupfer.

For this new production, the Volksoper is undertaking an "archaeological" investigation of the source, namely the production that Harry Kupfer staged at this house in 1984.

Cast

Stage direction
Harry Kupfer
Revived production
Angela Brandt
Set design
Reinhart Zimmermann
Costume design
Eleonore Kleiber
Choir director
Roger Díaz-Cajamarca
Musical direction
Omer Meir Wellber
Mimì
Anett Fritsch
Musetta
Alexandra Flood
Rodolfo
Giorgio Berrugi
Marcello
Andrei Bondarenko
Schaunard
Szymon Komasa
Colline
Alexander Fritze
Benoît
Daniel Ohlenschläger
Alcindor
Morten Frank Larsen
Sergeant
Jaroslaw Jadczak
Zöllner
Stefan Tanzer

You want to know a bit more precisely what to expect in this performance? Here you can find little signposts to give you some orientation (of course with a small wink). Curious? Click and let yourself be surprised!

You know how it should be done, we know how it should be done, and so do these productions. There is no “Regietheater” to expect here. You see it differently? Objections allowed!
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We love them, and so does our audience: our productions, which have been on the repertoire for a long time and still excite.
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What could be better than shedding a tear at the opera? Or even two. Or three. Love's pain and bittersweet melancholy, guaranteed to leave no eye dry.
Further productions