A production by the Opera Studio of the Vienna Volksoper
Musical arrangement by Ricardo Vendramin Ross (world premiere)
Libretto by Caterino Mazzolà, dialogue version by Maurice Lenhard
Following Così fan tutte, the final production of the first graduating class of the Volksoper’s opera studio in 2024, the second generation of this young ensemble now takes the stage with another repertoire classic at MuTh in the Augarten. In a newly created chamber version by the Brazilian composer Ricardo Vendramin Ross (b. 1995), director Maurice Lenhard highlights the close connections between Mozart’s opera and current global political dynamics, shaping it into a contemporary political thriller. Within this world, the final act of forgiveness on which Tito’s titular clemency (“clemenza”) is based is not an act of humanity, but rather an instrument of control – an official lie that fosters loyalty and neutralizes resistance. It gives the impression of stability, whereas Tito, with his cold, calculating mind, is actually concerned with consolidating his power. Amidst this, the two couples — Vitellia and Sesto, as well as Servilia and Annio — become entangled in a ruthless system of intrigue, corruption, and murder … for power and powerlessness lie dangerously close together, and even forgiveness can become a weapon.
The Opera Studio is supported by Martin Schlaff.
Partner of the Opera Studio: Ibanez Atkinson Fundacion.
Leading Team
Stage direction Maurice Lenhard
Musikalisches Arrangement Ricardo Ross
Stage and costume design Christina Geiger
Video Jakob Plattner
Dramaturgy Magdalena Hoisbauer