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RONJA AS AN INSPIRATION TO US ALL

Following her successful production of Alma, Ruth Brauer-Kvam is directing a family production at the Volksoper for the first time. Having already demonstrated her expertise in creating theatre for young audiences at numerous opera houses, she now turns her attention to Ronja Räubertochter. With plenty of music, she tells a story about friendship and the courage of children to overcome the conflicts of their parents and develop their own perspective on life and nature.

Her production brings Mattis Forest to the stage as an atmospheric work of music theatre. The music, composed by Kyrre Kvam, captures both the rustling of the forest and the wild energy of the bands of robbers.

Dramaturge Nina Moebius spoke to director Ruth Brauer-Kvam and composer Kyrre Kvam about their personal connections to the piece:

What does Ronja Räubertochter mean to you?

Ruth: “Ronja Räubertochter is a wonderful folk tale that explores essential themes that matter to young and old alike: friendship, reconciliation and protecting nature. Together, Ronja and Birk resolve a seemingly impossible conflict. Especially now, when so many terrible conflicts are raging around the world and creating uncertainty for all of us – including children – it is important to turn to stories that offer hope. Stories that show us what reconciliation can look like, why protecting nature matters and how courageous we can all be!”

Who is it for?

Ruth: “It’s for everyone – for the whole family! I hope it inspires people to get out into the forest, hug a tree, roll around in a meadow and completely forget about their phones for a while!”

What does Ronja Räubertochter sound like?

Kyrre: “The music has a distinctly Nordic feel and is inspired by folk music.”

What inspired you while composing?

Kyrre: “I listened to a lot of folk music from Sweden and Norway, without deliberately focusing on specific elements. This music shaped me as a musician from an early age – from old Norwegian hymns I heard in church to Swedish jazz. But the melodies actually emerge from the text, from the rhythm of the language. I’ve always been fascinated by the melodies hidden in words. You have to listen very carefully and patiently to discover and write down what works well when sung.”

Photo by Kyrre Kvam and Ruth Brauer-Kvam
Kyrre Kvam und Ruth Brauer-Kvam